Ahead of Sauvignon Blanc day tomorrow, I’ve been enjoying a few glasses of this Kiwi example from the brilliant Craggy Range. Most New Zealand Sauvignon Blanc comes from Marlborough, so this is something a little different, not least because a part of the wine was fermented in foudres and smaller oak barrels, but also because it comes from Martinborough, a region best known for its Pinot Noirs. Tangy, zesty and complex, with lime, passion fruit and nectarine flavours, racy acidity and a dry finish. The mid-palate is textured and slightly salty.
Light-bodied Alpine reds are some of my favourite wines: bright, tangy and intense with tremendous perfume and vitality. This pure Mondeuse from Jean-François Quénard is a case in point. Fermented and aged in a combination of stainless steel and concrete eggs, it’s pithy, zesty and lip-smackingly fresh, all violet, rose petal and white pepper aromas, intense bramble and raspberry fruit, tangy acidity and more underlying tannin and structure than you expect.
Grown on its own roots, organically farmed and fermented and aged in traditional clay pots, or tinadas, this is an old-vine wine that could almost give the normally bland, good-for-distillation-but-not-a-lot-else Airén a good name. It’s a brilliant white from Elías López Montero, the subject of one my recent #corktalk podcasts incidentally, showing notes of pear, orange zest and citrus, with creamy lees, wonderful texture and a taut, refreshing finish.
Any wine that I could drink listening to a Johnny Clegg song gets my vote, but this wine is doubly welcome – and worth buying – because it’s a staff empowerment project from Mullineux & Leeu, one of the Cape’s best producers. Syrah based with 34% Tinta Barocca and 15% Cabernet Sauvignon, Great Heart is fresh, spicy and stony, with appealing minerality and grip, pomegranate, raspberry and red cherry fruit and fine-grained tannins.
Part of an exciting new range of little known grape varieties from Marks & Spencer, most of which are at very reasonable prices, this is a cuvée of Moschofilero with 20% Roditis from two separate vineyards in the Peloponnese peninsula. Winemaker Leonidas Nassiakos of Semeli has produced a tangy, scented, seafood friendly white with lime, lemongrass and wild herb flavours and a long, refreshing finish. Bring on the summer!
I don’t drink much claret these days, but I had a bottle of this during an online MW Mates tasting with my friend Anne McHale MW and it made me fall in love with Bordeaux all over again. Château du Moulin Rouge, which predates the famous Parisian cabaret with a similar name, is a very well-placed Cru Bourgeois between Margaux and St. Julien making wines of cru classé quality. Unusually for the left bank, this is Merlot dominated, with 40% Cabernet Sauvignon and 10% Cabernet Franc. For me, it confirms the class and balance of the 2016 vintage, showing flavours of plum, back cherry and cassis complemented by notes of cedar wood and graphite, appealing freshness and fine, deftly integrated tannins.
Calling all Burgundy and Barolo drinkers in search of a bargain! Greek Xinomavro has become one of my go-to wine styles over the last year and this is a delicious example of its charms from a traditional producer. Benefiting from a few years in bottle before release, it’s pale, scented and enticing, with aromas of rose petal and rosemary, savoury red cherry and tobacco leaf flavours, sinewy tannins, understated wood and thrilling freshness and minerality.
Bosman Family Vineyards have always been great innovators, so it’s no surprise that they’ve pioneered the planting of Sicily’s Nero d’Avola grape in the Cape. It’s also no surprise that a variety that does so well in Italy has adapted to the heat of Wellington too. This is medium ruby in colour, with sweet spices on the nose, subtle oak and flavours of bramble, raspberry and red cherry. The tannins are savoury and fine, the acidity brisk and refreshing. And the wine even has its own soundtrack on Spotify.
Carmen is among the oldest wineries in Chile, but has one of the most dynamic young winemakers in Emily Faulconer. This is a classic Maipo Valley Cabernet Sauvignon that has benefited from a few years in bottle but will age and develop for a while yet. Serious, structured and intense, it has appealing notes of bramble, eucalyptus and blackcurrant leaf, sinewy, savoury tannins, deftly handled oak and impressive freshness and acidity for a hot vintage.
I have a deserved reputation as someone who doesn’t like Pinot Gris, but there is Pinot Gris and Pinot Gris, or rather Pinot Grigio and Pinot Grigio. The ones I avoid are those that taste of nothing, but that’s certainly not a charge you could level at this full-flavoured, just off-dry example from superstar winemaker Olivier Humbrecht MW. It’s weighty, textured and perfumed, with notes of quince, peach and pear and more than enough acidity to freshen and lengthen the finish. Great with lightly spicy food.
Louisa Rose is the queen of Australian Viognier and probably makes larger volumes of the variety – to a commendably high standard – than anyone else in the world. This unoaked example, made from organically grown grapes, is everything you want from the grape: honeysuckle and stem ginger aromas, lots of creamy, pillowy weight, flavours of peach and apricot and a lively, refreshing finish. The Ocado price is the best right now, but the wine is widely available elsewhere.
Chilean Chardonay is on a roll right now, especially when it’s from vineyards in the cooler areas of the country close to the Pacific or way down south, which is the case here. The brilliant Marcelo Retamal buys the grapes for this world-class white from Francisco Baettig’s increasingly famous vineyard in Malleco. There was a little rain during the growing season, so the wine has a little bit of “noble rot” (botrytis) character, which adds a drizzle of honeyed complexity to its chiselled, racy, well-balanced palate, exhibiting flavours of cashew nut, citrus and wet stones. The oak is very understated, which is the case with all the De Martino wines.