I have a deserved reputation as someone who doesn’t like Pinot Gris, but there is Pinot Gris and Pinot Gris, or rather Pinot Grigio and Pinot Grigio. The ones I avoid are those that taste of nothing, but that’s certainly not a charge you could level at this full-flavoured, just off-dry example from superstar winemaker Olivier Humbrecht MW. It’s weighty, textured and perfumed, with notes of quince, peach and pear and more than enough acidity to freshen and lengthen the finish. Great with lightly spicy food.
Louisa Rose is the queen of Australian Viognier and probably makes larger volumes of the variety – to a commendably high standard – than anyone else in the world. This unoaked example, made from organically grown grapes, is everything you want from the grape: honeysuckle and stem ginger aromas, lots of creamy, pillowy weight, flavours of peach and apricot and a lively, refreshing finish. The Ocado price is the best right now, but the wine is widely available elsewhere.
Chilean Chardonay is on a roll right now, especially when it’s from vineyards in the cooler areas of the country close to the Pacific or way down south, which is the case here. The brilliant Marcelo Retamal buys the grapes for this world-class white from Francisco Baettig’s increasingly famous vineyard in Malleco. There was a little rain during the growing season, so the wine has a little bit of “noble rot” (botrytis) character, which adds a drizzle of honeyed complexity to its chiselled, racy, well-balanced palate, exhibiting flavours of cashew nut, citrus and wet stones. The oak is very understated, which is the case with all the De Martino wines.
Formerly sold as plainer Blanc de Scala Dei, this rare and unusual white hails from an east-facing site at 700 metres, planted with Garnacha Blanca and Chenin Blanc in the late 1960s and 1980s, when the idea of climate change was unheard of. Co-fermented in cement tanks, before ageing in wooden foudres, this 80/20 blend is taut, refreshing and leesy, with stony intensity, citrus and wild flower notes, a drizzle of beeswax and a long intense finish. Should age well too.
Viognier is a tricky grape to get right. Pick it too late and it can be flabby, pick it too early and it lacks the texture and richness that are its hallmarks. Laurent Miquel is one of only a handful of people outside the northern Rhône Valley who consistently gets the variety spot on. This single parcel expression from the lieu-dit of La Vérité has textbook flavours of ginger, apricots and cream with a hint of oak spice and perfectly judged acidity for balance.
South Africa’s white blends are some of its most distinctive wines, even if they remain comparatively difficult to sell, given most consumers’ preference for varietal Chardonnays, Chenins and Sauvignon Blancs. More’s the pity! This is a superb five-way blend from one of the best white wine producers in Stellenbosch, dominated by almost equal parts Roussanne, Chenin Blanc and Grenache Blanc, with lesser amounts of Viognier and Chardonnay Mixing oak and concrete egg-fermented portions, it’s creamy, herbal and citrus-driven, with subtle wood, honeysuckle and baking spice aromas and flavours of peach, pear and quince.
Cal is one the most exciting wines I’ve tasted this year and ranks among Spain’s very best whites. Made entirely with Godello grown on rare (for Bierzo) limestone soils at 650 metres in San Juan de la Mata, it’s fresh and light bodied, but with remarkable density and concentration for a wine with only 12.5% alcohol. Lees, chalky and saline, this is like a cross between a Chablis and a Rías Baixas Albariño, with aromas of white flowers and sea salt and notes of fresh bread, wet stones and lemon zest. Stunning.
This Grenache Gris vineyard was the first that Katie Jones bought back in 2009 before she set up her brilliant business in the Languedoc-Roussillon. Every bit as good as the 2017, it’s wonderfully herbal and fresh, with notes of greengage, aniseed, thyme and lemon zest, benefiting from the concentration of old vines and finishing with length and elegance.
So much Marlborough Sauvignon Blanc tastes as if it’s come out of the same bottomless tank, that it’s a pleasure to come across something that restores your faith in the quality of New Zealand’s most popular wine style. Made by Master of Wine Liam Stevenson, this was picked early (by hand, not machine) and fermented with lots of solids in old French oak barrels. Dry, savoury and complex, it has appealing notes of gunflint and elderflower with subtle oak and a hint of passion fruit. Very smart.
Master of Wine Liam Stevenson wrote his dissertation about Priorat and was inspired by the white wines of the region to produce a Garnacha Blanca in nearby Terra Alta. This is made in partnership with another MW, Mark Pygott, and is excellent value. Leesy, intense and very lightly wooded, it has grapefruit and lemon peel flavours, a dusting of baking spices, stony minerality and top notes of jasmine and hawthorn blossom.
For local grape varieties make up the blend here – Arinto, Folgazão, Rabigato and Viosinho – sourced from vineyards on the southern side of the Douro Valley in their Quintas de Ervamoira and Bons Ares. An appealing counterpoint to the more powerful reds and fortifieds of the region, this has lovely freshness, aromas of fennel, citrus and oatmeal and a youthful, tangy, deftly wooded palate. Should develop further in bottle.
Coastal Alicante – with a marked marine influence – is the source of this stunning, amphora fermented and aged, old-vine Moscatel de Alejandría from the region’s most exciting producer, Pepe Mendoza. Fresh, tangy and salty, with mouthwatering acidity, flavours of pear, citrus and orange water, amazing focus and some grip from partial skin contact.