If you want to drink a Barossa red with very little oak but bags of flavour, this unfiltered, co-fermented cuvée of Mataro (Mourvèdre) and 35% Grenache is well worth tracking down. Spicy and peppery, with some stemmy whole bunch flavours, floral top notes, mint, raspberry and bramble fruit and fine-grained tannins.
A wine that tastes as good as it looks, this is made by my fellow Master of Wine, Giles Cooke (we passed in the same year), who donates all of the profits to charity. Sourced from the Ebenezer sub-region of the Barossa Valley, it’s rich, but well balanced, with subtle oak, refreshing acidity, fine-grained tannins and sweet bramble and bluberry fruit. Long and refreshing with a savoury tang.
The list of impressive Nebbiolo producers outside north-west Italy isn’t a long one, but Steve Pannell, who has worked in Piedmont to familiarise himself with the grape, would definitely be on it. Suitably pale in colour, with the variety’s unique combination of austerity and voluptuousness, firm tannins and sweet, savoury autumnal fruit, this wouldn’t look out of place in a line up of Barolos.
Steve Pannell was making great Grenache in McLaren Vale before the variety began to enjoy its modern renaissance as the so-called “Pinot of the south”. This combines plum and raspberry fruit sweetness with a backbone of tannin and refreshing acidity, supporting the concentration of the old vine fruit. The oaking is almost imperceptible here.
A fruity, modern Aussie Chardonnay from the cool (well coolish) Adelaide Hills, where the oak is unintrusive and the pure pear and peach fruit is allowed to express itself. The result is one of those whites you want to glugg by the glass in your nearest wine bar.
One of those wines that tastes every bit as good as it looks, this Scottish/Australian collaboration eschews the leaner, reductive, early picked style that’s favoured by some winemakers Down Under in favour of something a little more substanial and textured. Deftly oaked, oatmealy and refreshing, with a focus and minerality that wouldn’t look out of place in the Côte de Beaune.
One for opera buffs, or possibly just bohemians, this is an Aussie take on an Alsace-style blend, based on Pinot Gris. Aromatic and appealing, with orchard fruit and spring blossom on the nose, it segues into waxy, pear and apple spice flavours and a tangy finish.
An impressive example of the new, cool climate style of Australian Chardonnay that takes Burgundy as its inspiration. Tangy, bright and crunchy, with citrus-fresh acidity, subtle oak and lovely focus and length, this is a classy New World white that will age further in bottle.