I wouldn’t normally recommend a Viognier with a few years of bottle age – it’s a grape best consumed in its blossomy, intensely perfumed youth – but this unoaked example comes from a very special site in the Chilean Andes, located at 1,600 metres, and has improved over the last 12 months. There are still plenty of creamy ginger spice and apricot flavours on offer, but they’re balanced by stony freshness and minerality. Delicious.
It’s increasingly tough to find drinkable, let alone enjoyable wines at £5 a bottle, but this own-label Gamay from Tesco and the Alliance des Vignerons de Beaujolais definitely qualifies. Juicy, supple and perfumed, with velvety tannins, raspberry and boiled sweet flavours and lots of tangy acidity. Just the thing for an end of summer picnic.
Is this the best-value white Burgundy in the high street? It’s certainly in with a very strong shout. Sourced from the village of Rully, which lies just to the south of the more prestigious communes of the Côte de Beaune, it would slot very easily into a tasting of more expensive wines from Puligny- or Chassagne-Montrachet. Subtly wooded, with lemon zest, crème fraîche and vanilla spice flavours, impressive acidity for a 2019 and a long, refined finish.
I wish I’d known about someone like Gilles Bonnefoy when I lived in Clermont-Ferrand back in the 1980s, when good local wines were rare in the Massif Central. This is a wonderfully crunchy, sappy summer red grown on the volcanic soils that are a feature of the region. Made from Gamay, it’s a stony, unwooded delight, with plum and wild strawberry fruit and a satisfying, mineral-edged core.
With its distinctive Haka label, Earth’s End Pinot Noir has long been one of the stand out wines in the Marks & Spencer range and is on coruscating form right now. Made by the talented Duncan Forsyth, a man whose flamboyant suits match the brilliance of his wines, this is sappy, savoury and focused, with wild strawberry and red cherry fruit, some underlying stony grip and a whisper of wood spices.
Light-bodied Alpine reds are some of my favourite wines: bright, tangy and intense with tremendous perfume and vitality. This pure Mondeuse from Jean-François Quénard is a case in point. Fermented and aged in a combination of stainless steel and concrete eggs, it’s pithy, zesty and lip-smackingly fresh, all violet, rose petal and white pepper aromas, intense bramble and raspberry fruit, tangy acidity and more underlying tannin and structure than you expect.
Grown on its own roots, organically farmed and fermented and aged in traditional clay pots, or tinadas, this is an old-vine wine that could almost give the normally bland, good-for-distillation-but-not-a-lot-else Airén a good name. It’s a brilliant white from Elías López Montero, the subject of one my recent #corktalk podcasts incidentally, showing notes of pear, orange zest and citrus, with creamy lees, wonderful texture and a taut, refreshing finish.
Calling all Burgundy and Barolo drinkers in search of a bargain! Greek Xinomavro has become one of my go-to wine styles over the last year and this is a delicious example of its charms from a traditional producer. Benefiting from a few years in bottle before release, it’s pale, scented and enticing, with aromas of rose petal and rosemary, savoury red cherry and tobacco leaf flavours, sinewy tannins, understated wood and thrilling freshness and minerality.
Louisa Rose is the queen of Australian Viognier and probably makes larger volumes of the variety – to a commendably high standard – than anyone else in the world. This unoaked example, made from organically grown grapes, is everything you want from the grape: honeysuckle and stem ginger aromas, lots of creamy, pillowy weight, flavours of peach and apricot and a lively, refreshing finish. The Ocado price is the best right now, but the wine is widely available elsewhere.
Chilean Chardonay is on a roll right now, especially when it’s from vineyards in the cooler areas of the country close to the Pacific or way down south, which is the case here. The brilliant Marcelo Retamal buys the grapes for this world-class white from Francisco Baettig’s increasingly famous vineyard in Malleco. There was a little rain during the growing season, so the wine has a little bit of “noble rot” (botrytis) character, which adds a drizzle of honeyed complexity to its chiselled, racy, well-balanced palate, exhibiting flavours of cashew nut, citrus and wet stones. The oak is very understated, which is the case with all the De Martino wines.
St. Antoni is on of the oldest vineyards at Scala Dei, dating back to the late 17th century and planted in a natural amphitheatre at 600 metres. First made as a single release in 2010, it’s the essence of higher altitude Priorat Garnacha, justifying the variety’s name as the “Pinot Noir of the south”. Fermented with 100% whole bunches before ageing in founders, it’s a refined, delicate red, despite its 14.5% alcohol, with raspberry and wild strawberry fruit, graceful tannins and a stony flourish.
Formerly sold as plainer Blanc de Scala Dei, this rare and unusual white hails from an east-facing site at 700 metres, planted with Garnacha Blanca and Chenin Blanc in the late 1960s and 1980s, when the idea of climate change was unheard of. Co-fermented in cement tanks, before ageing in wooden foudres, this 80/20 blend is taut, refreshing and leesy, with stony intensity, citrus and wild flower notes, a drizzle of beeswax and a long intense finish. Should age well too.