Louisa Rose is the queen of Australian Viognier and probably makes larger volumes of the variety – to a commendably high standard – than anyone else in the world. This unoaked example, made from organically grown grapes, is everything you want from the grape: honeysuckle and stem ginger aromas, lots of creamy, pillowy weight, flavours of peach and apricot and a lively, refreshing finish. The Ocado price is the best right now, but the wine is widely available elsewhere.
Chilean Chardonay is on a roll right now, especially when it’s from vineyards in the cooler areas of the country close to the Pacific or way down south, which is the case here. The brilliant Marcelo Retamal buys the grapes for this world-class white from Francisco Baettig’s increasingly famous vineyard in Malleco. There was a little rain during the growing season, so the wine has a little bit of “noble rot” (botrytis) character, which adds a drizzle of honeyed complexity to its chiselled, racy, well-balanced palate, exhibiting flavours of cashew nut, citrus and wet stones. The oak is very understated, which is the case with all the De Martino wines.
St. Antoni is on of the oldest vineyards at Scala Dei, dating back to the late 17th century and planted in a natural amphitheatre at 600 metres. First made as a single release in 2010, it’s the essence of higher altitude Priorat Garnacha, justifying the variety’s name as the “Pinot Noir of the south”. Fermented with 100% whole bunches before ageing in founders, it’s a refined, delicate red, despite its 14.5% alcohol, with raspberry and wild strawberry fruit, graceful tannins and a stony flourish.
Formerly sold as plainer Blanc de Scala Dei, this rare and unusual white hails from an east-facing site at 700 metres, planted with Garnacha Blanca and Chenin Blanc in the late 1960s and 1980s, when the idea of climate change was unheard of. Co-fermented in cement tanks, before ageing in wooden foudres, this 80/20 blend is taut, refreshing and leesy, with stony intensity, citrus and wild flower notes, a drizzle of beeswax and a long intense finish. Should age well too.
Viognier is a tricky grape to get right. Pick it too late and it can be flabby, pick it too early and it lacks the texture and richness that are its hallmarks. Laurent Miquel is one of only a handful of people outside the northern Rhône Valley who consistently gets the variety spot on. This single parcel expression from the lieu-dit of La Vérité has textbook flavours of ginger, apricots and cream with a hint of oak spice and perfectly judged acidity for balance.
South Africa’s white blends are some of its most distinctive wines, even if they remain comparatively difficult to sell, given most consumers’ preference for varietal Chardonnays, Chenins and Sauvignon Blancs. More’s the pity! This is a superb five-way blend from one of the best white wine producers in Stellenbosch, dominated by almost equal parts Roussanne, Chenin Blanc and Grenache Blanc, with lesser amounts of Viognier and Chardonnay Mixing oak and concrete egg-fermented portions, it’s creamy, herbal and citrus-driven, with subtle wood, honeysuckle and baking spice aromas and flavours of peach, pear and quince.
Verónica Ortega worked in Burgundy (at Domaine de la Romance-Conti, no less) before she set up her own winery in Bierzo in 2010. This hauntingly delicate wine isn’t made from Pinot Noir, but it wouldn’t look out of place in a line up from Chambolle-Musigny. Sourced from seven parcels at 750 metres on slate soils, it sees no wood (only amphoras) and is wonderfully poised and balletic. Raspberry, tobacco pouch and wild strawberry flavours are complemented by rose petal aromas and a nip of sinewy tannin. You may have trouble tracking this down right now, although I’m assured that UK agent Vine Trail will have some next spring.
Wonderfully fresh, juicy and appealing, Quite is a reference to Verónica Ortega’s father, the famous bullfighter Rafael Ortega (the term is used when someone lends a helping hand in the bull ring), and is all about perfume and fruit. There’s good underlying concentration here too – the vines from which it comes are all over 80 years’ old and combine Mencía with Alicante Bouchet, Palomino and Doña Blanca – with notes of violet, raspberry and black cherry, a hint of stony reduction and a bright, mineral-edged finish. Aged in amphora and old wood.
Beaujolais Nouveau day may have passed you by last month – it certainly did me – but you don’t have to pay much more to get hold of something infinitely more serious from one of the region’s ten “crus”. Moulin à Vent tends to make some of the most structured examples of the Gamay grape, and that’s the case here. Spicy, peppery and refreshing, it has good structure and weight, succulent raspberry and red cherry fruit and just a hint of oak. A lip-smacking delight.
This Grenache Gris vineyard was the first that Katie Jones bought back in 2009 before she set up her brilliant business in the Languedoc-Roussillon. Every bit as good as the 2017, it’s wonderfully herbal and fresh, with notes of greengage, aniseed, thyme and lemon zest, benefiting from the concentration of old vines and finishing with length and elegance.
Imaginador comes from four different sites in the coastal-influenced sub-region of Guarilihue and encapsulates everything that is most appealing about Itata Valley Cinsault. Spicy, fresh and stony, with classic granitic focus and tannins, it has a hint of Asian spices from partial whole cluster fermentation and a core of raspberry and summer pudding fruit sustained by acidity and zip.
This is a small production red from Pepe Mendoza, fermented and aged in amphoras and made with a combination of the rare Giró grape and Garnacha (Gironet). Lightly oxidative in style, it has raspberry and pomegranate flavours, sinewy tannins and undertones of wild Mediterranean herbs. The acidity of both varieties freshens and lengthens the finish.