Faugères is one of the Languedoc’s great secrets, a small appellation that deserves to be much better known. Julien Seydoux makes this superb organic red from a blend of Syrah with 35% Grenache, 15% Carignan and 5% Mourvèdre, ageing the result in large wooden foudres and stainless steel tanks. Named after a local stream, it’s appeallingly subtle, floral and refined, with notes of pine and lavender, sweet bramble and red berry fruit, sinewy tannins and a long, mineral-edged finish. Perfect winter drinking.
Mas Deu comes from a single vineyard at 800 metres planted on clay and limestone soils and is a stunning expression of Mediterranean Garnacha. Floral and alluring, with notes of thyme, rosemary and white pepper, chalky minerality, redcurrant and raspberry flavours and a long, tapering finish. One of the best wines in Catalunya.
Called Heretge (heretic) because it’s made, unusually for Priorat, with just Cariñena, this is produced with grapes from two vineyards, planted in 1908 and 1918, that face north and south-east respectively on classic slate soils. Grippier and more savoury than the other Scala Dei wines, but this is still refreshing, stony and red-fruited, with some underlying grip and tannin and notes of bramble and red cherry. A stairway to hell rather than heaven perhaps?
There’s something about this time of year that makes me want to drink claret. I’m generally far too busy enjoying less classic fare to think about the Gironde, but red Bordeaux is just the thing with the turkey. This marriage of Merlot with 30% Cabernet Sauvignon, curated by ace consultant Stéphane Derenoncourt, is entirely unoaked, relying on fruit purity, fine tannins and supporting acidity. It’s just tipping over into middle age, with tobacco and autumn leaf aromas and fleshy red berry and fruitcake flavours. Really delicious at the price.
2018 is rightly regarded as one of the best Chilean red wine vintages of the last 30 years, so it’s no surprise that the latest release of Don Melchor is so special. Made from 181 lots covering 151 different vineyard parcels, it’s a pure, refined expression of the Andes-cooled Puente Alto terroir. This is only the second time that the blend has included all four Bordeaux varieties on the estate – it’s 91% Cabernet Sauvignon, with 5% Cabernet Franc, 3% Merlot and 1% Petit Verdot – and the wine is suitably nuanced and well balanced. Scented and floral, with some wild herb top notes, it’s an icon that marries energy with power and grip. The tannins are polished, the fruit intense, with cassis and red berry flavours complemented by fresh acidity and scented coffee bean oak.
Spanish retailers appear to be on the 2016 vintage of this wine at the moment, which I haven’t tasted, but this is well worth waiting for and needs more time in bottle in any case. VO used to come from the lower part of the ROC vineyard, but because of the frost in 2017, Verónica Ortega sourced the grapes from an old parcel at 650 metres on slate and sand soils in Villabuena instead. Fermented with 100% whole bunches, it’s an intense, well-structured, very lightly wooded red with notes of fresh tobacco, incense, liquorice and black cherry, impressive focus and the concentration and structure to age further.
Wonderfully fresh, juicy and appealing, Quite is a reference to Verónica Ortega’s father, the famous bullfighter Rafael Ortega (the term is used when someone lends a helping hand in the bull ring), and is all about perfume and fruit. There’s good underlying concentration here too – the vines from which it comes are all over 80 years’ old and combine Mencía with Alicante Bouchet, Palomino and Doña Blanca – with notes of violet, raspberry and black cherry, a hint of stony reduction and a bright, mineral-edged finish. Aged in amphora and old wood.
Beaujolais Nouveau day may have passed you by last month – it certainly did me – but you don’t have to pay much more to get hold of something infinitely more serious from one of the region’s ten “crus”. Moulin à Vent tends to make some of the most structured examples of the Gamay grape, and that’s the case here. Spicy, peppery and refreshing, it has good structure and weight, succulent raspberry and red cherry fruit and just a hint of oak. A lip-smacking delight.
Hub is named after jazz trumpeter Freddie Hubbard and is my favourite in the Pedro Parra range. The 80-year-old vines here are at 300 metres and face north-west on very poor granitic soils, yielding a wine with more colour than the rest of the line up, wonderful, sappy vivacity and intensity, a spicy undertone and vibrant red cherry, blackberry and raspberry coulis flavours. Fresh, long and satisfying, it’s a Grand Cru expression of Itata Valley Cinsault.
Imaginador comes from four different sites in the coastal-influenced sub-region of Guarilihue and encapsulates everything that is most appealing about Itata Valley Cinsault. Spicy, fresh and stony, with classic granitic focus and tannins, it has a hint of Asian spices from partial whole cluster fermentation and a core of raspberry and summer pudding fruit sustained by acidity and zip.
Monk – a tribute to jazz pianist Thelonius Monk – is a superb varietal Cinsault from a 70-year-old vineyard at 300 metres in Guarilihue. Fermented with natural yeasts and one-third whole clusters, it’s a dense, slightly smoky red from granitic clay soils, showing impressive depth and richness, notes of gunflint, red plum and wild strawberry and a long, balanced finish. Chilean Cinsault at its best.
A Pencopolitano is a native of Pedro Parra’s native city of Concepción, where it is surprisingly difficult to find examples of the local wines in restaurants. (I know, I’ve tried.) This is a blend of Cinsault with 33% País and has more structure and acidity than the pure Cinsaults in which Parra specialises. Dry-farmed vineyards in Guarilihue and Portezuelo supply the grapes here, with 30% whole bunches adding some spice and structure to the raspberry, redcurrant and red plum flavours. The finish has some sinewy grip.