I have to admit that I did a double take after I’d sampled this wine. £9.75 for something as complex as Pepe Mendoza’s equal blend of Monastrell and Giró? The Wine Society must have made a typo, surely? But that is indeed the price of his stunning cuvée. Somewhere between a northern Rhône Syrah and a high-altitude Spanish Garnacha in style, despite being produced next to the Mediterranean, it’s peppery, spicy and intense, with a hint of oak, wonderful red berry zip and freshness, appealing acidity and fine-grained, stony tannins. Ludicrously good at under £10.
Now that we can start having (legal) parties again, this is just the sort of thing I’d like to serve to my friends and family. Sourced from a family-owned winery near Pescara, it’s a fruity, perfumed, unoaked bundle of joy, with lots of lift and texture, layers of plum and red cherry, lively acidity and just enough tannin to give it some food-friendly grip and structure.
I don’t drink much claret these days, but I had a bottle of this during an online MW Mates tasting with my friend Anne McHale MW and it made me fall in love with Bordeaux all over again. Château du Moulin Rouge, which predates the famous Parisian cabaret with a similar name, is a very well-placed Cru Bourgeois between Margaux and St. Julien making wines of cru classé quality. Unusually for the left bank, this is Merlot dominated, with 40% Cabernet Sauvignon and 10% Cabernet Franc. For me, it confirms the class and balance of the 2016 vintage, showing flavours of plum, back cherry and cassis complemented by notes of cedar wood and graphite, appealing freshness and fine, deftly integrated tannins.
Bosman Family Vineyards have always been great innovators, so it’s no surprise that they’ve pioneered the planting of Sicily’s Nero d’Avola grape in the Cape. It’s also no surprise that a variety that does so well in Italy has adapted to the heat of Wellington too. This is medium ruby in colour, with sweet spices on the nose, subtle oak and flavours of bramble, raspberry and red cherry. The tannins are savoury and fine, the acidity brisk and refreshing. And the wine even has its own soundtrack on Spotify.
Faugères is one of the Languedoc’s great secrets, a small appellation that deserves to be much better known. Julien Seydoux makes this superb organic red from a blend of Syrah with 35% Grenache, 15% Carignan and 5% Mourvèdre, ageing the result in large wooden foudres and stainless steel tanks. Named after a local stream, it’s appeallingly subtle, floral and refined, with notes of pine and lavender, sweet bramble and red berry fruit, sinewy tannins and a long, mineral-edged finish. Perfect winter drinking.
Mas Deu comes from a single vineyard at 800 metres planted on clay and limestone soils and is a stunning expression of Mediterranean Garnacha. Floral and alluring, with notes of thyme, rosemary and white pepper, chalky minerality, redcurrant and raspberry flavours and a long, tapering finish. One of the best wines in Catalunya.
Called Heretge (heretic) because it’s made, unusually for Priorat, with just Cariñena, this is produced with grapes from two vineyards, planted in 1908 and 1918, that face north and south-east respectively on classic slate soils. Grippier and more savoury than the other Scala Dei wines, but this is still refreshing, stony and red-fruited, with some underlying grip and tannin and notes of bramble and red cherry. A stairway to hell rather than heaven perhaps?
There’s something about this time of year that makes me want to drink claret. I’m generally far too busy enjoying less classic fare to think about the Gironde, but red Bordeaux is just the thing with the turkey. This marriage of Merlot with 30% Cabernet Sauvignon, curated by ace consultant Stéphane Derenoncourt, is entirely unoaked, relying on fruit purity, fine tannins and supporting acidity. It’s just tipping over into middle age, with tobacco and autumn leaf aromas and fleshy red berry and fruitcake flavours. Really delicious at the price.
2018 is rightly regarded as one of the best Chilean red wine vintages of the last 30 years, so it’s no surprise that the latest release of Don Melchor is so special. Made from 181 lots covering 151 different vineyard parcels, it’s a pure, refined expression of the Andes-cooled Puente Alto terroir. This is only the second time that the blend has included all four Bordeaux varieties on the estate – it’s 91% Cabernet Sauvignon, with 5% Cabernet Franc, 3% Merlot and 1% Petit Verdot – and the wine is suitably nuanced and well balanced. Scented and floral, with some wild herb top notes, it’s an icon that marries energy with power and grip. The tannins are polished, the fruit intense, with cassis and red berry flavours complemented by fresh acidity and scented coffee bean oak.
Spanish retailers appear to be on the 2016 vintage of this wine at the moment, which I haven’t tasted, but this is well worth waiting for and needs more time in bottle in any case. VO used to come from the lower part of the ROC vineyard, but because of the frost in 2017, Verónica Ortega sourced the grapes from an old parcel at 650 metres on slate and sand soils in Villabuena instead. Fermented with 100% whole bunches, it’s an intense, well-structured, very lightly wooded red with notes of fresh tobacco, incense, liquorice and black cherry, impressive focus and the concentration and structure to age further.
Wonderfully fresh, juicy and appealing, Quite is a reference to Verónica Ortega’s father, the famous bullfighter Rafael Ortega (the term is used when someone lends a helping hand in the bull ring), and is all about perfume and fruit. There’s good underlying concentration here too – the vines from which it comes are all over 80 years’ old and combine Mencía with Alicante Bouchet, Palomino and Doña Blanca – with notes of violet, raspberry and black cherry, a hint of stony reduction and a bright, mineral-edged finish. Aged in amphora and old wood.
Beaujolais Nouveau day may have passed you by last month – it certainly did me – but you don’t have to pay much more to get hold of something infinitely more serious from one of the region’s ten “crus”. Moulin à Vent tends to make some of the most structured examples of the Gamay grape, and that’s the case here. Spicy, peppery and refreshing, it has good structure and weight, succulent raspberry and red cherry fruit and just a hint of oak. A lip-smacking delight.