The Allegrinis make some of the best Valpolicellas in the Veneto, so it’s no surprise that this blend of the local grapes Corvina, Corvinone and Rondinella with 10% each of Merlot and Cabernet Sauvignon is so impressive. Made with 15% of dried grapes – a technique used to increase concentration and flavour – this is plummy and refreshing with notes of green herbs and black cherry, impressive underlying structure and a classic combination of acidity and fine-grained tannins.
It’s amazing how much Austrian red wines have improved in the last decade, thanks to warmer vintages and much better work in the vineyards and winery. This appealingly mature cuvée of Merlot with three local grapes, Zweigelt, Blaufränkisch and St Laurent, is a case in point. It’s smooth, complex and well balanced, with subtle wood, black cherry, plum and fresh earth notes, bright, chalky acidity and a funky undertone.
I don’t drink much claret these days, but I had a bottle of this during an online MW Mates tasting with my friend Anne McHale MW and it made me fall in love with Bordeaux all over again. Château du Moulin Rouge, which predates the famous Parisian cabaret with a similar name, is a very well-placed Cru Bourgeois between Margaux and St. Julien making wines of cru classé quality. Unusually for the left bank, this is Merlot dominated, with 40% Cabernet Sauvignon and 10% Cabernet Franc. For me, it confirms the class and balance of the 2016 vintage, showing flavours of plum, back cherry and cassis complemented by notes of cedar wood and graphite, appealing freshness and fine, deftly integrated tannins.
You can only applaud a winery – especially one as famous as Kanonkop – that makes 1.7 million bottles of a wine of this quality. Dominated by Pinotage, with the remaining 63% made up of Cabernet Sauvignon, Merlot, Cabernet Franc and Petit Verdot, it’s a floral, textured, well-structured cuvée with notes of mint and dried herbs and a core of cassis and raspberry fruit.
Based on Garnacha, with the remaining 35% made up of Cariñena, Cabernet Sauvignon and Merlot, Prior is what Ricard Rofes calls a “key in the door of Priorat”, in that it introduces you to the different zones of the denominación. Wild, savoury and intense, with floral black cherry and damson fruit, a herbal undertone, pithy minerality and some clove spice from 30% whole bunch fermentation. One of the most structured wines in the range.
There’s something about this time of year that makes me want to drink claret. I’m generally far too busy enjoying less classic fare to think about the Gironde, but red Bordeaux is just the thing with the turkey. This marriage of Merlot with 30% Cabernet Sauvignon, curated by ace consultant Stéphane Derenoncourt, is entirely unoaked, relying on fruit purity, fine tannins and supporting acidity. It’s just tipping over into middle age, with tobacco and autumn leaf aromas and fleshy red berry and fruitcake flavours. Really delicious at the price.
2018 is rightly regarded as one of the best Chilean red wine vintages of the last 30 years, so it’s no surprise that the latest release of Don Melchor is so special. Made from 181 lots covering 151 different vineyard parcels, it’s a pure, refined expression of the Andes-cooled Puente Alto terroir. This is only the second time that the blend has included all four Bordeaux varieties on the estate – it’s 91% Cabernet Sauvignon, with 5% Cabernet Franc, 3% Merlot and 1% Petit Verdot – and the wine is suitably nuanced and well balanced. Scented and floral, with some wild herb top notes, it’s an icon that marries energy with power and grip. The tannins are polished, the fruit intense, with cassis and red berry flavours complemented by fresh acidity and scented coffee bean oak.
Stellenbosch struck gold in 2017, with one of the best ever red wine vintages in the Cape. This refined, well-structured Bordeaux blend, made at one of the most historic properties on the Simonsberg, is unbelievably good value and would wipe the winery floor with similarly priced wines from south-west France. Cassis, black cherry, graphite and cigar box notes are framed by fine, age worthy tannins and bright, refreshing acidity. Some retailers may be on the very good 2018, but the 2017 is the one to go for.
If you’re looking for an easy drinking pink to quaff over the next few weeks, this pale rosé made from “typical Tuscan varieties” is a snip at under £7 (as long as you buy five other bottles at Majestic). There’s a spicy, wild herb-like note to the raspberry fruit that’s backed up by a nip of tannin.
The second wine of Château Castéra, this is a stylish, Merlot-based claret with restrained oak, plenty of perfume and polished tannins. It’s good to see a 2010 wine of this quality that’s ready to drink on retail shelves, showing the balance that’s the hallmark of the vintage.