A rich, even heady expression of the Moscatel (Muscat) grape, this is luscious and palate-coating, with flavours of orange peel, dried fruits and beeswax and spirity note that complements rather than overwhelms the wine. Sweet and complex, it’s really good with full-flavoured desserts.
An impressive, four-way blend of mostly Cabernet Sauvignon, assisted by Merlot, Cabernet Franc and a dash of Petit Verdot, that nods towards the Médoc as much as its native New World. Floral, refined and well balanced with stylish, savoury oak, a solid backbone of tannin and a tangy, refreshing finish. A wien that slides over the tongue.
Inky, youthful and richly oaked, this is an impressive Gimblett Gravels blend of Cabernet Sauvignon, Merlot and Malbec that needs a year or two to marry in bottle. Spicy, vanilla-scented notes are complemented by flavours of graphite, dark plums and cassis with bright, underlying freshness.
Bold, inky and dark, with aromas of clove spice and hot stones, this is a rich, complex Syrah from the Gimblett Gravels, packed with stony complexity, firm tannins, refreshing acidity and brooding blackberry fruit. Why don’t more people plant Syrah in New Zealand?
One for opera buffs, or possibly just bohemians, this is an Aussie take on an Alsace-style blend, based on Pinot Gris. Aromatic and appealing, with orchard fruit and spring blossom on the nose, it segues into waxy, pear and apple spice flavours and a tangy finish.
Winemaker Gordon Russell is better known for his skills with Bordeaux than Rhône varieties, but he’s very bit as adept at both. This is a classic Kiwi Syrah, combining intensity with freshness, perfume with fruit weight. Pepper spicy, firm and focused, it’s more Cornas than Crozes-Hermitage in style, with the structure to age.
Pascal Marchand made his name at Domaine des Epeneaux in Pommard, but is now producing some equally impressive wines under his own label. This is a pale, even delicate Pinot, especially by the standards of Gevrey-Chambertin. Aromatic, nuanced and floral, it shows crunchy redcurrant and pomegranate flavours, plenty opf zip and focus and the faintest whisper of oak.
The second wine of Château Castéra, this is a stylish, Merlot-based claret with restrained oak, plenty of perfume and polished tannins. It’s good to see a 2010 wine of this quality that’s ready to drink on retail shelves, showing the balance that’s the hallmark of the vintage.
Pinot Noir is the sole grape on this very pale pink bubbly and it shows in the poise, balance and perfume of the wine. Red fruits, attractive, bottle-aged maturity and complex, toasty undertones make this an excellent alternative to Champagne.
An impressive example of the new, cool climate style of Australian Chardonnay that takes Burgundy as its inspiration. Tangy, bright and crunchy, with citrus-fresh acidity, subtle oak and lovely focus and length, this is a classy New World white that will age further in bottle.
Made for the first time in 2006, this was grafted over from Cabernet Franc vines to produce a blend of Sauvignon Blanc with 20% Semillon and 15% Muscadelle. Proving that you don’t need a swanky address in Pessac-Léognan to make tasty Bordeaux Blanc, it’s tangy, aromatic and sappy with hints of struck match and grapefruit and a waxy, herbal undertone from the Semillon.
Less sweet than many commercial Ripasso bottlings – and none the worse for that – this is also showing a bit of bottle-aged complexity, combining notes of plum, strawberry and fig, a nip of tannin and no obvious oak. The combination of fruit, acidity and residual sugar is very well handled here.