“A wine of the vintage”, according to Gabriel Pisano, but this is no Beaujolais Nouveau. In fact, this brilliant, unwooded Tannat from one of Uruguay’s best young winemakers, sourced from 30-year-old vines in the Progreso sub-region, doesn’t have to be drunk in a hurry at all. Youthful, juicy and fresh, with plum and black cherry fruit, a stony undertone and sappy, savoury tannins. Just the thing to drink while you’re reading my 2020 Uruguay Report.
What’s Grauvernatsch supposed to taste like? To be honest, I’m not really sure as it’s a grape I’ve never knowingly encountered before. But if you like elegant, light-bodied Alpine reds – from the Italian Südtirol in this case – you’ll love the understated elegance of this light, scented refreshing red, with its fragrant wild strawberry and redcurrant fruit, silky tannins and aromatic herbs. Juicy and unwooded, it’s a wine that tastes even better chilled.
Neuburger is an extremely rare grape, even in its native Austria, with only 550 of the country’s 44,000 hectares, but Feiler-Artinger have made something of a specialty of the variety. This is wonderfully perfumed, with very understated oak, peachy, savoury, spicy flavours, plenty of weight and texture. It gives the impression of slight sweetness, but finishes dry, refreshing and well balanced. A wonderful curiosity.
I get a small glow of pride reviewing this wine as I tasted it at a Three Wine Men event and told the Rude Wines team how good it was. I’m delighted to say they agreed with me and listed it. Cottonworth is not one of the best-known English bubbly producers, but it’s definitely a name to keep an eye on if this is typical of future releases. Balanced, elegant and refined, with small bubbles, notes of summer berries and candy floss, a creamy, textured, mid palate and a long, satisfying finish. Great as an aperitif or with a bowl of strawberries.
Not as well known as the Dog Point Sauvignon Blanc releases, but every bit as good in my opinion, this is frequently among my favourite South Island Chardonnays. Toasty, savoury and enticing, it has citrus and beeswax notes supported by fresh, palate cleasning acidity and a nutty finish. Just starting to develop bottle-aged complexity.
Pinots from the clays of Moutere always remind me of the wines of Pommard in Burgundy. They are rich, bold, even slightly sturdy wines that are textured, a little gruff even, and extremely impressive. Structured and concentrated, this is savouery, spicy and intense, with notes of incense and sweet summer berries, supported by tannins.
Neudorf makes some of the most characterful Chardonnays in New Zealand. This is their unoaked, Kiwi-meets-Chablis style that sess no oak, but seven months on lees to pick up some extra texture and weight. Supple and fruity, with notes of white peach and pear, taut acidity and a long, satisfying finish.
A wine that tastes as good as it looks, this is made by my fellow Master of Wine, Giles Cooke (we passed in the same year), who donates all of the profits to charity. Sourced from the Ebenezer sub-region of the Barossa Valley, it’s rich, but well balanced, with subtle oak, refreshing acidity, fine-grained tannins and sweet bramble and bluberry fruit. Long and refreshing with a savoury tang.
Mid-way between a single quinta and not-quite-a-vintage Port, this is rich, sweet and easy to drink, but with more structure and concentration than is immediately apparent. Spicy, peppery and showing a little bit of fiery spirit, this has dark, creamy fruit flavours and a complex, chocolatey finish.
Delicious, mouth-watering dry Riesling from one of my favourite Mosel producers. The extra palate weight and the warmth of the vintage are a perfect foil for the mienralyy, cirtrus-edged acidity here. Pear and apple, with a hint of spice and a stony, bone dry finish.
One of a series of delicious releases from Sybille Kuntz in 2015, this is rich, but not heavy in the slightest, handling its 50 odd grams of residual sugar with ease, thanks to its thrillingly vivid acidity. Honey, spices, lime and remarkable palate length are the hallmarks of this classic-meets-modern Mosel style.
One of those wines that tastes every bit as good as it looks, this Scottish/Australian collaboration eschews the leaner, reductive, early picked style that’s favoured by some winemakers Down Under in favour of something a little more substanial and textured. Deftly oaked, oatmealy and refreshing, with a focus and minerality that wouldn’t look out of place in the Côte de Beaune.