Not as well known as the Dog Point Sauvignon Blanc releases, but every bit as good in my opinion, this is frequently among my favourite South Island Chardonnays. Toasty, savoury and enticing, it has citrus and beeswax notes supported by fresh, palate cleasning acidity and a nutty finish. Just starting to develop bottle-aged complexity.
Pinots from the clays of Moutere always remind me of the wines of Pommard in Burgundy. They are rich, bold, even slightly sturdy wines that are textured, a little gruff even, and extremely impressive. Structured and concentrated, this is savouery, spicy and intense, with notes of incense and sweet summer berries, supported by tannins.
Neudorf makes some of the most characterful Chardonnays in New Zealand. This is their unoaked, Kiwi-meets-Chablis style that sess no oak, but seven months on lees to pick up some extra texture and weight. Supple and fruity, with notes of white peach and pear, taut acidity and a long, satisfying finish.
A wine that tastes as good as it looks, this is made by my fellow Master of Wine, Giles Cooke (we passed in the same year), who donates all of the profits to charity. Sourced from the Ebenezer sub-region of the Barossa Valley, it’s rich, but well balanced, with subtle oak, refreshing acidity, fine-grained tannins and sweet bramble and bluberry fruit. Long and refreshing with a savoury tang.
Mid-way between a single quinta and not-quite-a-vintage Port, this is rich, sweet and easy to drink, but with more structure and concentration than is immediately apparent. Spicy, peppery and showing a little bit of fiery spirit, this has dark, creamy fruit flavours and a complex, chocolatey finish.
Delicious, mouth-watering dry Riesling from one of my favourite Mosel producers. The extra palate weight and the warmth of the vintage are a perfect foil for the mienralyy, cirtrus-edged acidity here. Pear and apple, with a hint of spice and a stony, bone dry finish.
One of a series of delicious releases from Sybille Kuntz in 2015, this is rich, but not heavy in the slightest, handling its 50 odd grams of residual sugar with ease, thanks to its thrillingly vivid acidity. Honey, spices, lime and remarkable palate length are the hallmarks of this classic-meets-modern Mosel style.
One of those wines that tastes every bit as good as it looks, this Scottish/Australian collaboration eschews the leaner, reductive, early picked style that’s favoured by some winemakers Down Under in favour of something a little more substanial and textured. Deftly oaked, oatmealy and refreshing, with a focus and minerality that wouldn’t look out of place in the Côte de Beaune.
Who would imagine that the unfancied Côtes du Vivarais could produce a 50/50 Syrah/Grenache blend that tastes as good as anything at this price in the Rhône Valley. Spice and fresh tobacco notes, with some stemmy, whole bunch flavours, focused, mineral-edged red fruits, fine tannins and delicious perfume and balance. One of my discoveries of the summer.
Pascal Marchand made his name at Domaine des Epeneaux in Pommard, but is now producing some equally impressive wines under his own label. This is a pale, even delicate Pinot, especially by the standards of Gevrey-Chambertin. Aromatic, nuanced and floral, it shows crunchy redcurrant and pomegranate flavours, plenty opf zip and focus and the faintest whisper of oak.
Pinot Noir is the sole grape on this very pale pink bubbly and it shows in the poise, balance and perfume of the wine. Red fruits, attractive, bottle-aged maturity and complex, toasty undertones make this an excellent alternative to Champagne.
Showing the sweetness and silky drinkability of the 2009 vintage in Burgundy, this Gevrey from the excellent Rossignol-Trapet domaine is one of the best wines in Berrys’ newly-launched own-label selection. Supple, textured and forward, it has aromas and flavours of summer pudding and a hint of savoury oak, underpinned by just the right amount of acidity. So good, you’ll want to drink it now, but this has more stuffing than you think.