An Eden Valley Riesling that rarely disappoints, this is as reliable as ever, a dry, aromatic, minerally white with notes of apple and pear and an underlying seam of fresh limes. The wine will get toastier with age, if you can keep your hands off it.
Typical (and gratifyingly so) of the top end Chardonnays emerging from Australia’s best cool climate areas at the moment, this is all about structure and acidity rather than easy, up front fruit flavours. Notes of lemongrass, vanilla and citrus fruit are nicely intertwined on the palate, wrapped in a creamy, lees-derived texture.
A candidate for the title of Australia’s best Viognier (and that’s not meant to sound like faint praise), this is true to its varietal, but in a subtler way than many New World examples. White flowers, some cream, a hint of spice, nuanced oak and enough acidity to keep the wine tingling nicely on the palate.
Great name (I had to read it twice, too), a smart package and one hell of a glug for under £12. This is judiciously oaked, with the accent on soft, ripe, red fruits flavours. There’s a touch of sweet vanilla, a whisper of liquorice and supple, textured tannins on the palate. Essence of Barossa; essence of GSM.
If you’re looking for a glass of something unusual, yet also uncomplicated, this is for you. It’s a gloriously juicy Portuguese red with bright bramble and raspberry flavours, a smidgeon of tannin and enough acidity to slice its way through lamb or pork. Great value.
The oak is fairly prominent on this three-way blend of native Portuguese grape varieties, but there’s enough flavour and texture to cope with it. It’s a spicy, herbal number with notes of fresh bread, aniseed and wild thyme. The acidity is deliciously mouthwatering, giving the wine a sappy, refreshing finish.
Caroline Mooney’s wines are some of the most exciting things I’ve tasted from Australia in the last three years. This barrel-fermented Marsanne shows the variety’s classic honeysuckle and aniseed notes, well integrated with oak and sustained by bright acidity. Honey and some white flowers add extra complexity and texture.
The Viognier is more obvious in this wine than it is in most Côte Rôties, but that’s part of the style. It’s ripe, soft and slightly apricotty, with supple red fruits, touches of oak. liquorice and blackberry and medium weight tannins.
This doesn’t have a stockist in the UK yet, but it surely won’t be long before it does. It’s more immediate than the subtler FDW Chardonnay from the same Yalumba stable, but it’s still a very tasty modern Chardonnay with notes of citrus and honeydew melon, subtle oak and a bright, lemony finish.