The almacenista (merchant) house of Emilio Lustau sources and blends some of the best Sherries in the world. This perennial award winner from Sainsbury’s is a classic Amontillado style: pale(ish), dry and very complex with flavours of hazelnuts, dried fruits and a savoury, umami-like tang. The wine needs food, preferably tapas or a hunk of Manchego cheese, to show at its best, but is a comtemplative, after dinner drink too.
Just when you were beginning to think that English fizz is a little over-hyped, along comes a stylish, well-priced number like this Pinot Noir-based cuvée. Coral pink in colour, showing some toasty, yeasty bottle development on the nose, small bubbles and a savoury, wild strawberry finish. One to baffle a French wine snob with.
There can’t be many more complex Greek whites than this old vine Assyrtiko from the volcanic island of Santorini. Rich and textured, wtih aged flavours of toast and honey underpinned by steely acidity. There’s a lovely undertone of Mediterreanean herbs here, a hint of sweetness and a long, minerally finish. Very complex stuff.
The best red grapes, Greece’s Xynomavro among them, invariably produce the best rosé wines. Good on Waitrose for listing a Greek example with ambition and personality: raspberry and wild strawberry fruit, a touch of sweetness and a nip of tannin on the finish.
This is something of a curiosity, but there’s nothing wrong with that: copper-tinted, almost Pinot Noir like, with sweet and savoury fruit flavours, refresing acidity and a long, wild strawberry finish. It’s got a nip of tannin, too, which makes it perfect with food. Try it with a summer salad.
Lighter and more approachable than the Home Block release, but not far behind it in quality, this is a ripe, structured, red fruits scented Pinot with savoury, toasty oak, subtle, filigree tannins and some grip on the finish. Another wine that needs a year or two in bottle to show at its best.
This is unashamedly New Zealand, even Nelson, in style rather than a Burgundian copy. It’s rich, savoury and textured, a wine whose pale colour belies its concentration, depth and complexity. The oak is a little too evident at the moment, but don’t hesitate to give it five or more years in bottle. Sweetly fruited, perfumed and very long.
The Riesling from this brilliant Nelson winery is often overlooked, such is the quality of its Chardonnay and Pinot Noirs, but this medium dry style is a delight, all lime peel and stone fruit, with a steely backbone of acidity that wouldn’t look out of place in the Rheingau.
Neudorf’s status as one of the very best Chardonnay producers in New Zealand is only enhanced by this delicious new release: nutty, savoury, bready notes with well integrated oak, citrus acidity and nuanced lemon, vanilla and peach flavours. The wine has the concentration and structure to age further in bottle.
The qualty of Australian Chardonnay has leapt forward like a roo on heat over the last few years. This cool climate example from the Adelaide Hills is typical of the quality on offer from Down Under. Wild yeast fermented in older oak, some creamy lees on the palate and fine, citrus-tinged fruit with an echo of apricot. Subtle winemakin from Matt Gant.
If you’re a fan of wild, Medieterranean herb-scented reds from the hills of the Corbières, this should be right up your grande rue. The oak is subtly done here, allowing the spicy, heady fruit to express itself. The tannins are svelte and nicely integrated, the fruit dense yet supple, the finish long and refreshing. The altitude of the vineyards is what gives the wine its balance and length.
If I had to choose just one Blanc de Blancs Champagne to lay down on a regular basis, this would be it. It’s hard to believe the wine is 10 years’ old, given its freshness and perky acidity. Floral, understated, citrus and brioche aromas sashay into a pure, focused, beautifully defined palate showing flavours of citrus, fresh bread and lighty grilled nuts. The finish on the wine goes on for a minute. Great now, but tuck some away if you can keep your hands off it.