A wine that’s consistently a match for all but the very best (and much more expensive) wines of Pessac-Léognan, this deftly oaked Marlborough Sauvignon ages brilliantly too. Leesy, rich yet beautifully balanced, it combines flavours of vanilla spice, gooseberry fool, lanolin and vivid acidity. One of the region’s very best expressions of the grape.
Neudorf makes some of the most characterful Chardonnays in New Zealand. This is their unoaked, Kiwi-meets-Chablis style that sess no oak, but seven months on lees to pick up some extra texture and weight. Supple and fruity, with notes of white peach and pear, taut acidity and a long, satisfying finish.
Consistently one of New Zealand’s best Chardonnays, this is a rich, leesy, barrel-fermented style that treads the line (successfully, I might add) between opulence and pithy freshness. Citrus, oatmeal and honeyed notes are complemented by subtle vanilla sweetness and lovely, understated concentration.
Youthful, pithy and still quite tight, this barrel-fermented Chenin needs more time in bottle to show what it’s really capable of. Apple, citrus and pear flavours are complemented by stony minerality, some vanilla spice and a tangy, focused finish.
Englishwoman Katie Jones’ old vine releases from the Maury area are improving with every vintage and are now some of the best in the Roussillon. This Grenache Gris shows the variety’s focus, minerality and herbal edge, complemented by notes of pear and beeswax and the faintest kiss of oak.
Delicious, mouth-watering dry Riesling from one of my favourite Mosel producers. The extra palate weight and the warmth of the vintage are a perfect foil for the mienralyy, cirtrus-edged acidity here. Pear and apple, with a hint of spice and a stony, bone dry finish.
A little less concentrated than the Spätlese release (as you’d expect) but this has ghe focus and freshness that are typical of all of Sybille Kuntz’s 2015s. Citrus, green tea and spring flower notes are underpinned by minerally acidity and stony, mouthwatering crispness. As pure as Riesling gets.
A fruity, modern Aussie Chardonnay from the cool (well coolish) Adelaide Hills, where the oak is unintrusive and the pure pear and peach fruit is allowed to express itself. The result is one of those whites you want to glugg by the glass in your nearest wine bar.
One of those wines that tastes every bit as good as it looks, this Scottish/Australian collaboration eschews the leaner, reductive, early picked style that’s favoured by some winemakers Down Under in favour of something a little more substanial and textured. Deftly oaked, oatmealy and refreshing, with a focus and minerality that wouldn’t look out of place in the Côte de Beaune.
Cairanne whites are something of a rarity – even more so than in nearby Châteauneuf-du-Pape – but when they are as impressive as this blend of Grenache Blanc, Viognier and Roussanne, you wonder why. Textured, complex and oatmealy, this shows deftly interwoven oak, subtle pear and apricot fruit and a mineral flourish.
One of those wines that you’re just dying to slip into a blind tasting, this comes from cool (for the Cape) Durbanville and wouldn’t be outclassed by many Austrian Grüners at the same price level. Spices, green apple and bay leaf notes are underpinned by zesty, crunchy acidity and plenty of mid-palate texture. Promising stuff.
One for opera buffs, or possibly just bohemians, this is an Aussie take on an Alsace-style blend, based on Pinot Gris. Aromatic and appealing, with orchard fruit and spring blossom on the nose, it segues into waxy, pear and apple spice flavours and a tangy finish.