Less sweet than many commercial Ripasso bottlings – and none the worse for that – this is also showing a bit of bottle-aged complexity, combining notes of plum, strawberry and fig, a nip of tannin and no obvious oak. The combination of fruit, acidity and residual sugar is very well handled here.
This is only the “entry point” Dolcetto from the Vajra family, but it’s still a deliciously aromatic example of Piedmont’s everyday red. Aromatic and fruity, showing flavours of plum and black cherry, as well as aromas of violets, it’s at its best when lightly chilled. Aren’t we all? Long and refreshing with chalky acidity.
There isn’t a lot of competition in Piedmont, but this has to be the region’s best Riesling. Nor would it look shabby in a tasting with examples from the Alto Adige. Made entirely with clone 49 on poor, sandy soils, it’s a dry, tangy style with notes of white flowers and lime zest and a crisp, tapering finish. Beautifully balanced.
How many wines make you want to start dancing? I love the perfumed frivolity of this wine. Sweet, frothy and perfumed, it’s a wonderful expression of the Moscato grape. The alcohol is low, the flavours are fresh and aromatic. What’s not to like? Try it with a bowl of strawberries.
The Luigi Baudana wines come entirely from Serralunga d’Alba, widely considered the best village in the Barolo region. This is more closed and concentrated than the sweeter, riper 2009, but has finer tannins, too, and the classic chalky undertone of eastern Barolo. It’s a serious, even sligthly backward wine with excellent structure and ageing potential. Give this wine time.
More structured than the Bricco delle Viole, this comes from a 2.2 hectare, south- and south-east facing vineyard and is a first release. It’s got a bloody, almost iron-like note on the palate, firmish but well integrated tannins and minerally freshness. The tannins need food (preferably a lump of protein) to take away their edge. One to tuck away.
So appealing now that you are almost tempted to pull the cork, but give this superlative Barolo some time. Old vines, marl soils, a top vintage and brilliant winemaking all combine beautifully here. Elegant, minerally and poised, this has a red fruits sweetness that is almost reminiscent of Pinot Noir, but with a firmer backbone of acidity and tannin. Fine, silky and very long.
Made from a “proprietary selection of red-stalked clones”, the estate’s top Dolcetto hails from a single vineyard in Vergne. Rich in colour and more concentrated that the straight Dolcetto d’Alba, it’s worth the extra money. Plush and aromatic, with sweet plum and damson fruit, soft tannins and a sweet, lingering finish. Dolcetto doesn’t get much better than this.