ROC was the first wine Veronica Ortega ever made, back in 2010, and comes from two old-vine parcels at 400 metres in Valtuille de Abajo. It’s firmer, riper and more structured than her other reds, with more colour, backbone and extract. Showing the very low yields of the first-hit 2017 vintage, this is dark and grippy, with damson and blackberry fruit, plenty of tannin and some added texture from 50% whole bunches.
Verónica Ortega worked in Burgundy (at Domaine de la Romance-Conti, no less) before she set up her own winery in Bierzo in 2010. This hauntingly delicate wine isn’t made from Pinot Noir, but it wouldn’t look out of place in a line up from Chambolle-Musigny. Sourced from seven parcels at 750 metres on slate soils, it sees no wood (only amphoras) and is wonderfully poised and balletic. Raspberry, tobacco pouch and wild strawberry flavours are complemented by rose petal aromas and a nip of sinewy tannin. You may have trouble tracking this down right now, although I’m assured that UK agent Vine Trail will have some next spring.
Cal is one the most exciting wines I’ve tasted this year and ranks among Spain’s very best whites. Made entirely with Godello grown on rare (for Bierzo) limestone soils at 650 metres in San Juan de la Mata, it’s fresh and light bodied, but with remarkable density and concentration for a wine with only 12.5% alcohol. Lees, chalky and saline, this is like a cross between a Chablis and a Rías Baixas Albariño, with aromas of white flowers and sea salt and notes of fresh bread, wet stones and lemon zest. Stunning.
One of the most ambitious Rueda whites, this comes from a selection of pre-phylloxera vineyards and is built to age. The oak is better integrated than on the 2015, which is also available in the market right now, supporting a wine with amazing intensity and focus. Nutty and intense, it has flavours of pear, citrus and marzipan, with undertones of fennel and cinnamon, good structure and racy, palate-cleansing acidity.