Pick and Mix

by Margaret Rand
A couple of things have struck me recently. One was Richard Geoffroy, ex-chef de cave of Dom Pérignon, saying casually that he blends everything, even his breakfast orange juice. The...

The Noise And The Reality

by Andy Neather
So much coverage of Brexit has been noise about symbols. Brexiteers obsessed over a return to “blue” British passports and an end to the “humiliation” of Burgundy-coloured ones. In fact,...

Our Favourite Drug

by Tim Atkin
“People like to masturbate.” As first sentences go, this one certainly snares your attention. It’s not the only remarkable thing about Edward Slingerland’s new book Drunk: How We Sipped, Danced...

Carry That Weight

by Anne Burchett
A petition addressed to ‘Wine Trade Associations’ written by Aleesha Hansel, and co-signed by Jancis Robinson, is asking for three steps to be taken in what, Hansel acknowledges herself, is...

When?

by Clare Tooley MW
The ‘what’ can take a thought or two, the how, where, with whom, barely a moment. But the ‘when’, ah the ‘when’, there’s the rub. I don’t have a favorite...

Dreamland

by Tom Hewson
The closer we get to the Turner Contemporary, the smaller it seems. From across the bay its modernist, factory-like form stands like a monument to industriousness next to Margate’s grungy-chic...

Forks In The Road

by John Atkinson MW
For Ulysses, Dorothy Gale and Neil Armstrong there was no place like home. Dorothy left the Emerald City yearning for Kansas. After walking on the moon, Neil Armstrong wanted nothing more...

Cutting Through The Babble

by Margaret Rand
It struck me, watching Katya Kabanova at Glyndebourne this last summer, that opera has terroir. It also has directors, who fulfil the same role as winemakers, either expressing the terroir...